Tuesday, October 22, 2013

INTERNET FRAUD EXPOSED: B-side, Filmbaby, Eztakes, Lulu and Jaman - Jaman.com

Exploring how self-governing filmmakers, musicians and artists are exploited and defrauded by websites, including eztakes.com and jaman.com (with Bibliography). Sept/2008. IntroductionAny autarkical artist, filmmaker and musician knows the challengesand hurdles of stupefyting their national submit to the public, while at thesame time trying to make some(prenominal) money, or at least break-even to covertheir costs. An indep stopent film back end take anywhere from one to four(or more) years to conceive, the last task, then, is to modernise properdistribution. There are several websites online that (apparently) fillthis need and cater to ? primarily young ? independent artists,filmmakers and musicians. In conjunction with Princeton School of Media Studies the bank line isa study investigating these so-called ?opportunities? on the profitsand assess the hard implications. This three-year study was conductedbetween the years 2005-2008 and followed the path of over 500ind ependent artists, from over 20 countries, using several websitesunder investigation. This abbreviated study followed the independent artists and theirdealings with the lucre platforms in all aspects (communication,signing-up, legal aspects, royalty awards, marketing and salesactivity). The atomic number 23 selected websites under scrutiny were B-side,Filmbaby, Eztakes, Lulu and Jaman. As will be seen, several of thesewebsites are, not only flunk to properly deal the needs ofindependent content creators, but actively deceive, manipulate,defraud and cheat these notional people. B-side(http://www.bside.
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com)According to its own mission sta tement B-Side is ?an entertainmenttechnology! confederacy that captures audience opinions to control greatfilms and deliver them to viewers around the world.? (1) 95participants had submitted their content to B-Side, and after 20 wererejected, 75 were observed for 18 months. honest from the outset the biggest paradox independents faced withB-Side was exactly what they had hoped for: proper contentdistribution. Since B-Side admittedly discovers films through audiencefeedback from its residential area of hundreds of film festival websites, thefocus, hand and outlook for independent artists is prefixed andinhibited. As Hill maintains: ?Viewer... If you want to get a full essay, holy order it on our website: BestEssayCheap.com

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